The Cambridge Companion to Childrens Literature (Cambridge Companions to Literature)

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  1. The Cambridge Companion to the Novel
  2. Table of contents
  3. The Cambridge Companion to Children's Literature by M.O. Grenby

See our disclaimer. The Cambridge Companion to Victorian Women's Writing brings together chapters by leading scholars to provide innovative and comprehensive coverage of Victorian women writers' careers and literary achievements. While incorporating the scholarly insights of modern feminist criticism, it also reflects new approaches to women authors that have emerged with the rise of book history; periodical studies; performance studies; postcolonial studies; and scholarship on authorship, readership, and publishing.

It traces the Victorian woman writer's career - from making her debut to working with publishers and editors to achieving literary fame - and challenges previous thinking about genres in which women contributed with success.

The Cambridge Companion to the Novel

Chapters on poetry, including a discussion of poetry in colonial and imperial contexts, reveal women's engagements with each other and male writers. Discussions on drama, life writing, reviewing, history, travel writing, and children's literature uncover the remarkable achievement of women in fields relatively unknown.

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Table of contents

Customer Service. Superb essays by M. Gabija rated it it was amazing Oct 29, Nina rated it really liked it Feb 01, Tahni rated it really liked it Feb 08, Abbyforth rated it really liked it Feb 17, Frank rated it really liked it Aug 22, Carolina rated it it was amazing Mar 20, Melissa Rininger rated it it was amazing Jan 14, Sara rated it really liked it Jun 04, Veronique rated it liked it Sep 05, Hannah Rae rated it it was amazing May 16, Roger Green rated it it was amazing Sep 17, Daniel Josephy rated it it was amazing Dec 08, Misty L.

Nagata rated it it was amazing Jun 25, Allison Carlson rated it liked it May 22, Matthew rated it it was ok Mar 16, Chanel rated it really liked it Nov 22, Meep rated it really liked it Aug 09, Roger Green rated it it was amazing Aug 06, Saroon rated it really liked it Mar 21, Marcie rated it really liked it May 23, Melusine Parry rated it really liked it Mar 31, J Serhan rated it it was amazing Feb 12, Mary Karlik rated it did not like it Apr 07, Jennifer Levine rated it liked it Dec 29, There are enough longer entries to make browsing reasonably rewarding: I enjoyed entries on familiar topics such as A.

Milne and The Wind in the Willows and stumbled over some entirely new ones, such as the once popular and prolific but now largely forgotten writers Charles Hamilton Frank Richards and G.

Download American Prose and Poetry in the 20th Century Cambridge Contexts in Literature

Apart from an appendix with some lists of award winners, however, there's nothing in the Oxford Companion to assist browsing — here a resource like Wikipedia offers vastly more aid to serendipitous connection. The Routledge Companion appears to combine the Cambridge and Oxford approaches, with a first half consisting of eleven essays and a second half in encyclopedia format, also laid out in two columns.

There's also an eighteen page timeline. But it has remarkably little overlap with either, being largely focused on literary theory — to the point where it might more accurately have been titled The Routledge Companion to the Theory of Children's Literature. The approach in the essays is quite different to that of the Cambridge Companion , even though there are four contributors in common. And "Gender studies" is a survey of theories of gender as applied to children's literature, looking at feminist ideas and theories, gay and lesbian studies, gender performativity, queer theory, transgender studies, and masculinity studies.

Other essays are less meta-critical. And "Sidelines" surveys relatively neglected genres of children's literature such as autobiography, domestic and ephemeral works, the oral tradition, poetry and plays.

The other seven essays are "'Criticism is the theory of literature': theory is the criticism of literature", "Race, ethnicity and colonialism", "Narratology", "Realism", "Fantasy", "Young adult fiction and the crossover phenomenon", and "Picturebooks, comics and graphic novels". There's no room for any involved theory, but the style is fairly academic, as a quote will illustrate: "Picturebooks, as Arizpe and Styles , p.

This not only acknowledges the potential of the form but also indicates its key limitation in the perception of the audience, flagging up tensions between the flexibility of the medium and assumptions about the needs and capabilities of young readers.


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In both cases, then, cultural constructions of childhood especially in relation to literacy - for long an ideological battleground underpin and colour understandings of the medium. Here's an example from the essay on fantasy: Jackson, Rosemary Fantasy: The Literature of Subversion , New York: Methuen Jackson provides a comprehensive review of critical literature on fantasy, and then turns her focus to psychoanalytic perspectives.

Because her emphasis is on works that disturb the psyche and create dis-ease with the status quo, her work is more applicable to young adult fantasy than to children's fantasy, which she rather dismissively relegates to the less interesting category of 'the marvellous'.

The Cambridge Companion to Children's Literature by M.O. Grenby

With entries in pages, the entries in the second half "Names and Terms" are all reasonably substantial, and I ended up reading most of them. They really only cover theoreticians and critics on the one hand and theories and theoretical terminology on the other. There are entries on modern scholars as well as older figures, on Homi K. Bhabha, Ruth B.